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	<title>gaussmarkov: diy fx &#187; Connectors</title>
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	<description>guitar stompboxes and electronics</description>
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		<title>1/4&#8243; Phone Jacks and Plugs</title>
		<link>http://gaussmarkov.net/wordpress/parts/connectors/14-phone-jacks-and-plugs/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/connectors/14-phone-jacks-and-plugs/#comments</comments>
		<pubDate>Tue, 03 Jun 2008 02:59:49 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
				<category><![CDATA[Connectors]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/parts/connectors/14-phone-jacks-and-plugs/</guid>
		<description><![CDATA[Custom gaussmarkov mojo cables kick off this post about 1/4&#8243; phone jacks commonly used in stompboxes.   This tutorial supplements a recent post on wiring up a stompbox with off-board components.
 
Plugs
Here are two artifically coloured 1/4&#8243; phone plugs, mono above and stereo below. The green part is called the sleeve and the red [...]]]></description>
			<content:encoded><![CDATA[<p align="left">Custom gaussmarkov mojo cables kick off this post about 1/4&#8243; phone jacks commonly used in stompboxes. <img src='http://gaussmarkov.net/wordpress/wp-includes/images/smilies/icon_wink.gif' alt=':wink:' class='wp-smiley' />  This tutorial supplements <a href="http://gaussmarkov.net/wordpress/thoughts/wiring-up-a-1590b/" title="Wiring Up a 1590B">a recent post on wiring up a stompbox</a> with off-board components.</p>
<p align="center"><img src="http://gaussmarkov.net/images/plugs1.bmp" title="Mono and Stereo Phone Plugs" alt="Mono and Stereo Phone Plugs" height="262" width="512" /> <span id="more-119"></span></p>
<h2>Plugs</h2>
<p align="left">Here are two artifically coloured 1/4&#8243; phone <em>plugs</em>, <em>mono</em> above and <em>stereo</em> below. The green part is called the <em>sleeve</em> and the red part is called the <em>tip</em>. The stereo plug has an additional part (silver in this figure) called the <em>ring</em>. The tip, ring, and sleeve are all insulated from each other and can be used for different purposes. Stereo plugs are sometimes labeled TRS, the initials of <strong>T</strong>ip, <strong>R</strong>ing, and <strong>S</strong>leeve.</p>
<p>Guitar cables generally have mono plugs where the tip carries the audio signal and the sleeve connects to ground.  Stereo plugs appear on headphone cables. If you put a mono plug into a stereo headphone jack, the silver part is replaced by the grounded sleeve and one channel is grounded and, hence, silent. Because the <strong>R</strong>ing usually carries the <strong>R</strong>ight channel, the right channel is typically silenced.</p>
<p style="text-align: center"><img src="http://gaussmarkov.net/images/jacks.bmp" title="Mono, Stereo, and NC Jacks" alt="Mono, Stereo, and NC Jacks" height="384" width="512" /></p>
<h2>Jacks</h2>
<p align="left">These colourful images represent three <em>panel mount</em> Switchcraft jacks:</p>
<ul>
<li>mono (Switchcraft no. 11 on the left),</li>
<li>stereo (Switchcraft no. 12B in the middle), and</li>
<li>mono with  NC  (or <em>normally closed</em>) switch (Switchcraft 12A on the right).</li>
</ul>
<p>Following the colour scheme above, I have made the sleeve connection green and the tip connection red.</p>
<p align="left">The role of the silver part in this figure depends on the jack. For the (middle) stereo jack, the ring connection is silver. For the (right-hand) mono with NC switch, the <em>shunt </em>for the switch is silver.</p>
<p align="left">Each part of the jack has a solder lug where wires are usually connected. The tip lug is not always located in the same place. Other manufacturers than Switchcraft may use a completely different configuration of the solder lugs for each of these jacks. You can use the contintuity test of your DMM to figure out which lug goes with each plug connector.  Alternatively, you can figure this out visually.</p>
<p align="center"><img src="http://gaussmarkov.net/images/jacks2.bmp" title="Jack Layers" alt="Jack Layers" height="384" width="512" /></p>
<p align="left">These jacks are constructed in layers, with a single piece of metal comprising the lugs and the plug connectors. I have never taken one apart, but there must be some sort of insulation that separates these metal layers from the barrel that contacts the sleeve.  So you can just look from the side and see which lugs and connectors are paired.</p>
<p align="center"><img src="http://gaussmarkov.net/images/phonejacks_schem.png" title="Jack Schematic Symbols" alt="Jack Schematic Symbols" /></p>
<p align="left">Schematic symbols for these three jacks often look like these.  Layout symbols are similar.</p>
<p align="center"><img src="http://gaussmarkov.net/images/plugs2.bmp" title="Mono, Stereo, and NC Jacks" alt="Mono, Stereo, and NC Jacks" height="384" width="512" /></p>
<h2>Connections</h2>
<p align="left">Often mono plugs are mated to mono jacks and stereo plugs are mated to stereo jacks as shown above. Notice the position of the tip connection. The &#8220;click&#8221; that you feel when you plug into your guitar, stompbox, or amp is the (red) metal tab that contacts the tip snapping into the groove around the tip.  This holds the plug firmly in place until you pull it out. After repeated use, jacks must be replaced when metal fatigue occurs and the jack no longer grips the tip tightly.</p>
<p align="left">Also, compare the mono and stereo arrangements and you will see how a separate connection is made by the ring of the stereo plug  touching only the silver metal tab of the stereo jack. Below we will discuss a case where such a separate connection is not desired.</p>
<p align="left">When inserting a 1/4&#8243; phone plug into these jacks, the tip first contacts the grounded socket before reaching the tip connection at the end of its travel. The sleeve connection comes later. This initial contact between tip and ground without a grounded sleeve causes the pops and hum one hears as a cable connected to an on-line amp is plugged into a guitar.</p>
<p align="center"><img src="http://gaussmarkov.net/images/plugs3.bmp" title="Mono, Stereo, and NC Jacks" alt="Mono, Stereo, and NC Jacks" height="384" width="512" /></p>
<p align="left">The figure above shows how the mono jack with NC switch has a tip connection that is closed without a plug and open when a plug is inserted. This is useful in stompboxes like <a href="http://gaussmarkov.net/wordpress/circuits/b-blender/" title="Sean MacLennan's B Blender" target="_blank">Sean MacLennan&#8217;s B Blender</a>. His circuit provides an &#8220;effects loop&#8221; that is blended with the input signal. By using mono jacks with NC switches for the effects loop, a default connection is possible through the shunt lugs when nothing is plugged into the loop jacks.</p>
<p align="center"><img src="http://gaussmarkov.net/images/plugs4.bmp" title="Mono, Stereo, and NC Jacks" alt="Mono, Stereo, and NC Jacks" height="384" width="512" /></p>
<p align="left">This figure illustrates how a stereo jack is used as the input jack for a stompbox to switch the ground connection of a battery. The plug is, of course, a mono plug.  The ring part of the jack touches the sleeve of the mono plug. If the sleeve part of the jack is grounded as usual, then the mono plug grounds the ring connection. Without a plug, the ring connection is floating.</p>
<p align="left">So the battery&#8217;s negative terminal is wired to the ring solder lug of the stereo jack. When there is a mono plug in the jack, the negative battery terminal is grounded and electrons flow. Without the plug, the ground connection is broken. In this way, the battery is disconnected whenever the stompbox is not in use.</p>
<h2>Other Jacks</h2>
<p align="left">There are more elaborate jacks than these three. There are jacks with more rings, with more NC switches, and also with NO (<em>normally open</em>) switches. For examples, see the Switchcraft link listed below. Although these exotic jacks do not usually find their way into stompboxes, you will certainly encounter them in guitar amplifiers.</p>
<p align="left">The illustrations above picture &#8220;open frame&#8221; metal jacks.  There are also panel mount jacks that enclose the plug connections inside a plastic box. For example, see <a href="http://www.switchcraft.com/products/jack-90.html">these Switchcraft jacks</a>.  Such jacks are often used to insulate the sleeve connection from the enclosure. This can also be accomplished with open frame metal jacks using nylon washers.</p>
<p align="left">PCB mount jacks offer another possibility.  These are also enclosed and quite compact.  For an example of their application, see the design described in <a href="http://gaussmarkov.net/wordpress/parts/enclosures/a-nice-design-for-1590b-enclosures/" title="A Nice Design for 1590B Enclosures">A Nice Design for 1590B Enclosures</a>.</p>
<h2>References and Additional Resources</h2>
<ol>
<li><a href="http://www.neutrik.com/us/en/audio/203_411/Jacks_group.aspx" title="Neutrik Phone Jacks" target="_blank">Neutrik Jacks</a></li>
<li><a href="http://www.switchcraft.com/products/jack-85.html" title="Switchcraft Phone Jacks" target="_blank">Switchcraft Phone Jacks</a></li>
<li><a href="http://en.wikipedia.org/wiki/TRS_connector" title="Wikipedia:  TRS Connector" target="_blank">Wikipedia: TRS Connector</a></li>
</ol>
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		</item>
		<item>
		<title>Wiring Up a 1590B</title>
		<link>http://gaussmarkov.net/wordpress/thoughts/wiring-up-a-1590b/</link>
		<comments>http://gaussmarkov.net/wordpress/thoughts/wiring-up-a-1590b/#comments</comments>
		<pubDate>Thu, 29 May 2008 20:50:19 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
				<category><![CDATA[Connectors]]></category>
		<category><![CDATA[Enclosures]]></category>
		<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/thoughts/wiring-up-a-1590b/</guid>
		<description><![CDATA[
Wiring up the off-board components, particularly a 3PDT switch, can be confusing.  There are many good explanations of how to do it (see for example geofex.com, tonepad.com, and generalguitargadgets.com)  and this one adds to the pile by breaking down the logic of one of the more elegant layouts with a series of detailed [...]]]></description>
			<content:encoded><![CDATA[<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_COMPLETE.bmp" title="1590B Wiring Picture" alt="1590B Wiring Picture" width="512" height="384" /></p>
<p align="left">Wiring up the off-board components, particularly a 3PDT switch, can be confusing.  There are many good explanations of how to do it (see for example <a href="http://geofex.com" title="R.G. Keen's GEOFEX.com" target="_blank">geofex.com</a>, <a href="http://tonepad.com" title="Francisco Peña's tonepad.com" target="_blank">tonepad.com</a>, and <a href="http://generalguitargadgets.com" title="J.D. Sleep's GeneralGuitarGadgets.com" target="_blank">generalguitargadgets.com</a>)  and this one adds to the pile by breaking down the logic of one of the more elegant layouts with a series of detailed figures.  I walk through the case where the audio jacks are not insulated from a metal enclosure, there is an LED to show when the circuit is on, and when the circuit is off there is simple by-passing with the circuit input grounded.</p>
<p align="left"><span id="more-116"></span>It seems simplest to start with the wiring for so-called true by-pass, a straight connection from the input jack to the output jack. The input jack is on the left and the output jack is on the right. They will be reversed to the usual placement when the stompbox is closed up and turned over.</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_TRUEBYPASS.bmp" title="True By-Pass Wiring with a 3PDT Switch" alt="True By-Pass Wiring with a 3PDT Switch" width="512" height="384" /></p>
<p align="left">The input jack pictured here is a stereo Switchcraft jack called the 12B. The output jack is  a mono Switchcraft called the 11. You can read a post about these jacks in <a href="http://gaussmarkov.net/wordpress/parts/connectors/14-phone-jacks-and-plugs/" title="1/4">1/4&#8243; Phone Jacks and Plugs</a>. The switch is a 3PDT Taiwan Blue. The picture shows</p>
<ol>
<li>a white wire from the tip lug of the stereo jack (on the right, for input) to the switch;</li>
<li>in one switch position, this will connect to the white wire that goes across the bottom of the face of the switch;</li>
<li> which will then connect to the white wire that runs from the switch to the tip lug of the mono jack (on the left, for output).</li>
</ol>
<p>So we have a simple connection from one tip lug to the other: <em>true by-pass.</em></p>
<p>In the other switch position, we want to connect the input lug to the input of the circuit and the output lug to the output of the circuit. These are added in the following image:</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_WET.bmp" title="Basic Circuit Switching" alt="Basic Circuit Switching" width="512" height="384" /></p>
<p align="left">The blue wire should be connected to the input pad of the circuit board.  The yellow wire  should be connected to the output pad of the circuit board, or to the middle lug of a level pot if one completes the circuit.  I am leaving the board out of these pictures for simplicity.  Any unconnected wires in this tutorial are supposed to connect somewhere on a circuit board.</p>
<p align="left">As it stands, we do not need the 3PDT switch because we are only using 2 poles, one for input switching and one for output switching.  The third (middle) pole can do the switching for an LED that lights up when the circuit is engaged (or not by-passed). For that we will also need a power supply, which we will get from a DC voltage supply.</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_LED.bmp" title="Adding an LED and DC supply" alt="Adding an LED and DC supply" width="512" height="384" /></p>
<p align="left">This image shows the LED wiring from another vantage point, with the wires for the guitar signal removed for clarity. The LED switching opens and closes the ground connection for the LED circuit. The ground for the circuit is the sleeve lug of the output jack.</p>
<ul>
<li>The DC jack has a direct wire to that lug: the green wire that runs all the way across the middle of the picture.</li>
<li>The LED also connects to that grounded lug through a resistor (2.2K for limiting current) and two green wires, one that goes from the LED to the switch and another that goes from the switch to the lug. Note that these two wires are connected when the switch is in the &#8220;not by-passed&#8221; position.</li>
</ul>
<p>Also note that in this particular setup, the sleeve lugs of both jacks are connected through the aluminum enclosure that holds them. The entire stompbox is grounded through the output cable. So the input sleeve lug is grounded by its connection to the output sleeve lug through the enclosure.</p>
<p>In setups with insulated jacks, one must make these connections with wiring.  You should still ground the enclosure in those cases because this improves the ability of the enclosure to shield the circuit from outside radio frequency (RF) signals.</p>
<p>Here is a close-up view of the DC jack connections:</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_DCJACK.bmp" title="DC Jack Wiring" alt="DC Jack Wiring" /></p>
<p align="left">The top lug is the positive power supply connection and the angled lower lug is the ground connection. We will use the third middle lug later when we hook up a 9V battery as an alternative power supply.</p>
<p align="left">The red wire is the positive power supply.  This colour is consistent with the leads found on most 9V battery snaps: red is positive and black is negative (or ground).  In these pictures, I am using green for ground because it shows up better.</p>
<p align="left">I prefer to use the DC jacks that are fastened with a nut on the outside of the enclosure and that is what is pictured in these figures.  DC jacks also come configured with the nut on the inside of the enclosure.   I find this inconvenient because it requires me to install the jack in the enclosure before I solder the wires to it.  As a result, if I want to remove the circuit from the enclosure then I must unsolder these wires. The input and output jacks, the 3PDT switch, and any pots all have their nuts on the outside.  If the DC jack does also, then one can remove the nuts and the whole circuit lifts out of the enclosure completely connected.</p>
<p align="left">Here is a close-up view of the output sleeve lug for ground connections:</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_GND.bmp" title="Wires Connecting to the Grounded Sleeve Lug" alt="Wires Connecting to the Grounded Sleeve Lug" width="512" height="384" /></p>
<p align="left">At this point, two wires are supposed to soldered to this lug. One wire is coming from the DC jack (not shown) above. The other wire is &#8220;flying in&#8221; from the switch.</p>
<p align="left">Here is an image of the switch wiring with all of the wires in place: input, output, and ground connections:</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_GNDIN.bmp" title="Power Supply Connections for the Board Added" alt="Power Supply Connections for the Board Added" width="512" height="384" /></p>
<p align="left">Note that there is an additional green wire. This is the short wire that connects the first (input) pole of the switch to the middle (ground) pole of the switch.</p>
<ul>
<li>When the switch is in the by-pass position, this short green wire connects the input of the PCB to ground.</li>
<li>When the switch is in the engaged position, this short green wire does not connect to anything.</li>
</ul>
<p>This additional wire feeds the stompbox circuit a quiet input signal when the circuit is by-passed.  That is the trickiest part of the switch wiring, making a nice use of that otherwise unused lug on the switch.</p>
<p align="left">Now we are ready for the circuit board.  Besides the input and output connections, the board needs the positive and ground connections which come from the same places as for the LED circuit: the positive lug of the DC jack and the sleeve lug of the mono output jack.</p>
<p align="center"><img src="http://gaussmarkov.net/images/1590B_SETUP_BRD.bmp" title="Wiring Ready for the PCB" alt="Wiring Ready for the PCB" width="512" height="384" /></p>
<p>Wires for those connections appear in the figure above.  Generally, it is good to run your positive supply lines next to ground lines.  This is true of PCB traces as well.  So I am showing the positive board supply wire running next to the ground wire for the DC jack.</p>
<p>I am not quite finished.  I still need to add the wiring for the battery.  It will take a while to make a figure for that, but in the mean time it is easy to describe. The red battery snap wire connnects to the remaining free lug on the DC jack. The black battery snap wire connects to the ring lug of the (stereo) input jack. That&#8217;s the obvious one facing up to the right of the tip connector. This battery snap hookup accomplishes two things:</p>
<ol>
<li>The battery negative terminal will be connected to ground only when there is a mono plug inserted into the input jack. In that event, the ring connector is in contact with the sleeve of the mono plug and a ground connection is made through the ground lug of the input jack.</li>
<li>The battery positive terminal will be disconnected to the LED and the board when there is DC plug inserted into the DC jack.</li>
</ol>
<p>Because of these properties, the battery will supply power when there is no alternative DC power supply and there is an input for the stompbox. Otherwise, the battery is preserved.</p>
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		</item>
		<item>
		<title>Slide Switch Tutorial</title>
		<link>http://gaussmarkov.net/wordpress/parts/connectors/slide-switch-tutorial-2/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/connectors/slide-switch-tutorial-2/#comments</comments>
		<pubDate>Wed, 09 Apr 2008 23:54:24 +0000</pubDate>
		<dc:creator>stobiepole</dc:creator>
				<category><![CDATA[Connectors]]></category>
		<category><![CDATA[Enclosures]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/uncategorized/slide-switch-tutorial-2/</guid>
		<description><![CDATA[When building stomp boxes, slide switches have certain advantages over toggle switches. They are less expensive and more durable than toggle switches, which can easily get broken off by clumsy feet or by mishandling. But they can be trickier to fit, requiring a rectangular cavity to function correctly. Here&#8217;s a way to fit a slide [...]]]></description>
			<content:encoded><![CDATA[<p>When building stomp boxes, slide switches have certain advantages over toggle switches. They are less expensive and more durable than toggle switches, which can easily get broken off by clumsy feet or by mishandling. But they can be trickier to fit, requiring a rectangular cavity to function correctly. Here&#8217;s a way to fit a slide switch, using only a couple of simple tools.<span id="more-114"></span></p>
<p align="center">[[Show as slideshow]]
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