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	<title>gaussmarkov: diy fx</title>
	<link>http://gaussmarkov.net/wordpress</link>
	<description>guitar stompboxes and electronics</description>
	<pubDate>Fri, 02 May 2008 04:53:15 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.2.1</generator>
	<language>en</language>
			<item>
		<title>Creating a PCB Image using Export</title>
		<link>http://gaussmarkov.net/wordpress/tools/software/eagle/creating-a-pcb-image-using-export/</link>
		<comments>http://gaussmarkov.net/wordpress/tools/software/eagle/creating-a-pcb-image-using-export/#comments</comments>
		<pubDate>Fri, 02 May 2008 04:53:15 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Eagle CAD]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/tools/software/eagle/creating-a-pcb-image-using-export/</guid>
		<description><![CDATA[
If you want to etch a PCB with a layout in Eagle then you will need to create an image like this one to transfer your design. This brief tutorial explains how to set things up so that you can use the Eagle export  command.
]]></description>
			<content:encoded><![CDATA[<p align="center"><img src="http://gaussmarkov.net/images/eagle_export_image_5.png" title="Eagle PCB Image" alt="Eagle PCB Image" height="292" width="467" /></p>
<p>If you want to etch a PCB with a layout in Eagle then you will need to create an image like this one to transfer your design. This brief tutorial explains how to set things up so that you can use the Eagle <em>export  </em>command. <a href="http://gaussmarkov.net/wordpress/tools/software/eagle/creating-a-pcb-image-using-export/#more-115" class="more-link">(more&#8230;)</a></p>
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		</item>
		<item>
		<title>Slide Switch Tutorial</title>
		<link>http://gaussmarkov.net/wordpress/parts/enclosures/slide-switch-tutorial-2/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/enclosures/slide-switch-tutorial-2/#comments</comments>
		<pubDate>Wed, 09 Apr 2008 23:54:24 +0000</pubDate>
		<dc:creator>stobiepole</dc:creator>
		
		<category><![CDATA[Enclosures]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/uncategorized/slide-switch-tutorial-2/</guid>
		<description><![CDATA[When building stomp boxes, slide switches have certain advantages over toggle switches. They are less expensive and more durable than toggle switches, which can easily get broken off by clumsy feet or by mishandling. But they can be trickier to fit, requiring a rectangular cavity to function correctly. Here&#8217;s a way to fit a slide [...]]]></description>
			<content:encoded><![CDATA[<p>When building stomp boxes, slide switches have certain advantages over toggle switches. They are less expensive and more durable than toggle switches, which can easily get broken off by clumsy feet or by mishandling. But they can be trickier to fit, requiring a rectangular cavity to function correctly. Here&#8217;s a way to fit a slide switch, using only a couple of simple tools. <a href="http://gaussmarkov.net/wordpress/parts/enclosures/slide-switch-tutorial-2/#more-114" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>The Noomerang</title>
		<link>http://gaussmarkov.net/wordpress/circuits/noomerang/</link>
		<comments>http://gaussmarkov.net/wordpress/circuits/noomerang/#comments</comments>
		<pubDate>Tue, 26 Feb 2008 06:01:58 +0000</pubDate>
		<dc:creator>stobiepole</dc:creator>
		
		<category><![CDATA[Circuits]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/circuits/noomerang/</guid>
		<description><![CDATA[
The Noomerang is a wah pedal by B Tremblay of runoffgroove.com fame. It&#8217;s a variant of the Maestro Boomerang  wah, which itself is a nice alternative to the usual Cry Baby clones, with some added goodies.
]]></description>
			<content:encoded><![CDATA[<p align="center"><img src="http://gaussmarkov.net/stobiepole/layouts/noomerang/noomerang-layout.png" height="394" width="455" /></p>
<p>The Noomerang is a wah pedal by B Tremblay of <a href="http://runoffgroove.com">runoffgroove.com</a> fame. It&#8217;s a variant of the Maestro Boomerang  wah, which itself is a nice alternative to the usual Cry Baby clones, with some added goodies.  <a href="http://gaussmarkov.net/wordpress/circuits/noomerang/#more-109" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>The Hornby Skewes Zonk Machine</title>
		<link>http://gaussmarkov.net/wordpress/circuits/zonk-machine/</link>
		<comments>http://gaussmarkov.net/wordpress/circuits/zonk-machine/#comments</comments>
		<pubDate>Sun, 24 Feb 2008 17:23:55 +0000</pubDate>
		<dc:creator>Brad</dc:creator>
		
		<category><![CDATA[Circuits]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/circuits/zonk-machine/</guid>
		<description><![CDATA[
Yo. Here&#8217;s a layout I did for the Hornby Skewes Zonk Machine. I used the schematic from the Fuzz central website. I put an extra pad for the .47 cap since I couldn&#8217;t find a package big enough for the Xicon greenie .47.
]]></description>
			<content:encoded><![CDATA[<p align="center"><img src="http://gaussmarkov.net/Brad/layouts/zonk/zonk-layout.png" height="393" width="456" /></p>
<p align="left">Yo. Here&#8217;s a layout I did for the Hornby Skewes Zonk Machine. I used the schematic from the Fuzz central website. I put an extra pad for the .47 cap since I couldn&#8217;t find a package big enough for the Xicon greenie .47.   <a href="http://gaussmarkov.net/wordpress/circuits/zonk-machine/#more-108" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Voodoo Lab Overdrive</title>
		<link>http://gaussmarkov.net/wordpress/circuits/voodoo-lab-overdrive/</link>
		<comments>http://gaussmarkov.net/wordpress/circuits/voodoo-lab-overdrive/#comments</comments>
		<pubDate>Fri, 11 Jan 2008 23:49:03 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Circuits]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/circuits/voodoo-lab-overdrive/</guid>
		<description><![CDATA[

I have various reasons for putting this one together. My interest was peaked when the Voodoo Lab Overdrive was associated recently with the Fulltone OCD. I was also looking for a relatively simple circuit with op-amps that I could use for an Eagle layout tutorial that I plan to write. In addition, I have been [...]]]></description>
			<content:encoded><![CDATA[<p><a href="file:///C:/Users/Paul/Documents/Circuits/eagle/projects/Voodoo%20Lab%20Overdirve/perf.sch"></a></p>
<p align="center"><img src="http://gaussmarkov.net/layouts/vlo/vlo-layout.png" title="Voodoo Lab Overdrive layout" alt="Voodoo Lab Overdrive layout" height="432" width="430" /></p>
<p>I have various reasons for putting this one together. My interest was peaked when the Voodoo Lab Overdrive was associated recently with the Fulltone OCD. I was also looking for a relatively simple circuit with op-amps that I could use for an Eagle layout tutorial that I plan to write. In addition, I have been working up my understanding of op-amps through writing a series of tutorials and the divided negative feedback tools are really useful with this circuit.</p>
<p>There are a bunch of mods to consider with this circuit, all of which have been applied to other stompbox circuits over the years.  And if the reports are accurate, similar mods appear in the OCD as well.   <a href="http://gaussmarkov.net/wordpress/circuits/voodoo-lab-overdrive/#more-105" class="more-link">(more&#8230;)</a></p>
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		</item>
		<item>
		<title>Op-Amps 4: Divided Negative Feedback</title>
		<link>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-4-divided-negative-feedback/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-4-divided-negative-feedback/#comments</comments>
		<pubDate>Tue, 08 Jan 2008 19:58:13 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Op-Amps]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-4-divided-negative-feedback/</guid>
		<description><![CDATA[Simple negative feedback, connecting the output to the inverting input, makes an op-amp into a unity gain amplifier. In that setup, all of the output goes to the inverting input. If instead the amount of feedback is reduced, through a voltage divider, then the gain of the op-amp circuit becomes greater than one. This may [...]]]></description>
			<content:encoded><![CDATA[<p>Simple negative feedback, connecting the output to the inverting input, makes an op-amp into a unity gain amplifier. In that setup, all of the output goes to the inverting input. If instead the amount of feedback is reduced, through a voltage divider, then the gain of the op-amp circuit becomes greater than one. This may be the most common way op-amps are used for amplification in stompbox circuits. In addition, by adding some capacitors to the voltage divider, the gain also gets some tonal character that is the foundation of dozens of famous distortion and overdrive pedals (think Boss, Fulltone, Ibanez, Marshall, Proco, Voodoo Labs, &#8230;). <a href="http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-4-divided-negative-feedback/#more-104" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Op-Amps 3: Between the Rails</title>
		<link>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-3-between-the-rails/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-3-between-the-rails/#comments</comments>
		<pubDate>Mon, 31 Dec 2007 05:22:26 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Op-Amps]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-3-between-the-rails/</guid>
		<description><![CDATA[Op-amp output hits the rails because op-amps are powerful amplifiers with gains in excess of 200,000. With a 9V single-supply, all it takes is an input voltage difference of 9V/200,000 = 45uV to hit the positive rail.  Guitar outputs are around one thousand times that magnitude. So how do you keep the output of [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://gaussmarkov.net/parts/opamps/Railroad-Tracks.jpg" title="Between the Rails" alt="Between the Rails" align="right" height="180" width="135" />Op-amp output hits the rails because op-amps are powerful amplifiers with gains in excess of 200,000. With a 9V single-supply, all it takes is an input voltage difference of 9V/200,000 = 45uV to hit the positive rail.  Guitar outputs are around one thousand times that magnitude. So how do you keep the output of an op-amp between the rails?  You use <em>feedback</em>.</p>
<p align="center"><small>Photo credit: <a href="http://commons.wikimedia.org/wiki/Image:Railroad-Tracks-Perspective.jpg" title="Photo Credit" target="_blank">Mike Malak on WikiMedia Commons</a></small></p>
<p>  <a href="http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-3-between-the-rails/#more-101" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Input and Output Impedance</title>
		<link>http://gaussmarkov.net/wordpress/thoughts/input-and-output-impedance/</link>
		<comments>http://gaussmarkov.net/wordpress/thoughts/input-and-output-impedance/#comments</comments>
		<pubDate>Sat, 29 Dec 2007 15:37:00 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Thoughts]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/thoughts/input-and-output-impedance/</guid>
		<description><![CDATA[You have probably heard or seen it said that high input impedance and low output impedance are desirable properties for a circuit.  Or at least something like that.   Maybe it was the other way round, as in low input impedance and high output impedance?  I found it hard to remember before [...]]]></description>
			<content:encoded><![CDATA[<p>You have probably heard or seen it said that high input impedance and low output impedance are desirable properties for a circuit.  Or at least something like that.  <img src='http://gaussmarkov.net/wordpress/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> Maybe it was the other way round, as in <em>low</em> input impedance and <em>high</em> output impedance?  I found it hard to remember before I had some grasp on the concepts.  This note describes the understanding that I have so far and a practical way to measure impedance. <a href="http://gaussmarkov.net/wordpress/thoughts/input-and-output-impedance/#more-76" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Op-Amps 2: Hitting the Rails</title>
		<link>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-2-hitting-the-rails/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-2-hitting-the-rails/#comments</comments>
		<pubDate>Tue, 25 Dec 2007 23:46:39 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Op-Amps]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-2-hitting-the-rails/</guid>
		<description><![CDATA[A first step in understanding op-amps, and amplification generally, is to see that op-amps are like a water faucet that controls the water pressure in a garden hose. In the simplest setups, the faucet alternates between completely closed and wide open. As a result, the output of the op-amp is either the lowest or the [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://gaussmarkov.net/parts/opamps/water_faucet_rev.png" title="Water Faucet" alt="Water Faucet" align="right" border="0" height="164" width="192" />A first step in understanding op-amps, and amplification generally, is to see that op-amps are like a water faucet that controls the water pressure in a garden hose. In the simplest setups, the faucet alternates between completely closed and wide open. As a result, the output of the op-amp is either the lowest or the highest available voltage, in analogy with no water pressure or maximum water pressure in the hose. <a href="http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-2-hitting-the-rails/#more-100" class="more-link">(more&#8230;)</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>Op-Amps 1: Description</title>
		<link>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-1-description/</link>
		<comments>http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-1-description/#comments</comments>
		<pubDate>Mon, 24 Dec 2007 04:26:31 +0000</pubDate>
		<dc:creator>gaussmarkov</dc:creator>
		
		<category><![CDATA[Op-Amps]]></category>

		<guid isPermaLink="false">http://gaussmarkov.net/wordpress/uncategorized/op-amps-1-description/</guid>
		<description><![CDATA[Appearance
Op-amps (operational amplifiers) come in an integrated circuit, or IC. The one pictured on the right is in a form called DIP-8, which is short for dual in-line package with 8 pins. &#8220;Dual in-line&#8221; refers to two lines of pins, in this case 4 on each side.  Each pin has a special function and [...]]]></description>
			<content:encoded><![CDATA[<h2>Appearance</h2>
<p><img src="http://gaussmarkov.net/parts/opamps/LM741.png" title="LM741 IC" alt="LM741 IC" align="right" />Op-amps (operational amplifiers) come in an integrated circuit, or IC. The one pictured on the right is in a form called DIP-8, which is short for <em>dual in-line package with 8 pins</em>. &#8220;Dual in-line&#8221; refers to two lines of pins, in this case 4 on each side.  Each pin has a special function and they are numbered from 1 to 8.  Often, there is a circle on the top of the case to show the location of pin 1.  Also the case is usually notched at the same end with half-circle cut-out. At least one of these two markings appear, but not necessarily both. <a href="http://gaussmarkov.net/wordpress/parts/op-amps/op-amps-1-description/#more-99" class="more-link">(more&#8230;)</a></p>
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